About Julia

Representation

Julia Vee is repped by Laurie McLean at Fuse Literary. laurie (at) fuseliterary.com

For interview and event requests, please email Saraciea J. Fennell at TOR Saraciea.Fennell (at) tor.com.

For review copy requests, please email torpublicity (at) tor.com.

Biography

Julia Vee loves stories of magic and monsters. Add East Asian dishes to the mix and you have the flavor profile of her writing.

Julia’s academic focus on Asian Studies at U.C Berkeley only deepened her appreciation for the history and lore of that region. Though she has spent over two decades as a trial lawyer in Silicon Valley, she has always nurtured her creative spark, all the while teaching courses on business and property law as an adjunct faculty member in colleges and law schools.

Outside of the courtroom, her heart beats strongest for the fantastical. She is a graduate of the Viable Paradise residential workshop. She often writes with co-author Ken Bebelle to craft fantasy adventure stories with East Asian elements. Their works include the Seattle Slayers series and their forthcoming trilogy, beginning with Ebony Gate, debuted from TOR in July of 2023, with Blood Jade following in July of 2024. 

A lifelong fan of comics, Julia met her spouse over a shared love of the medium. She is passionate about rescue dogs, knitting, and soup. Her fandoms include Elfquest, Avatar the Last Airbender, Kate Daniels, the Witcher, and Shang-Chi.

2024 SPEAKING ENGAGEMENTS

  • Fiction Craft: How to Write a Satisfying Scene: the building blocks of scene writing  (San Francisco Writers Conference, SF, CA)
  • AMA Session and Self-publishing 101  (San Francisco Writers Conference, SF, CA)

2023 SPEAKING ENGAGEMENTS/Panels:

  • Return From Retirement with co-panelists Ken Bebelle and Cory Doctorow, moderated by Maryelizabeth Yturalde (San Diego Festival of Books)
  • Wish They All Could Be California MCs (San Diego Comic Con with co-panelists Diane Marie Brown, Nidhi Chanani, Mike Chen, Cory Doctorow, and Julia Vee and Ken Bebelle, Maryelizabeth Yturralde (moderator)
  • Robots and Aliens and Blasters, Oh My (San Diego Comic Con with co-panelists: Emma Mieko Candon, Sylvain Neuvel,  Ken Bebelle, Charlie Jane Anders (Moderator)
  • Found Families in SF/Fantasy (Balticon 57)
  • My favorite monster? (Balticon 57)
  • So You Want To Be A Writer (Balticon 57)
  • Building Your Author Platform Organically (Superstars Writing Seminar, Colorado Springs, CO)
  • Crafting Reliable and Unreliable Narrators  (San Francisco Writers Conference, SF, CA)
  • Sensory Elements Your Story Needs That You’ve Never Used  (San Francisco Writers Conference, SF, CA)

2022 Speaking engagements:

  • Building Your Author Platform Organically (Superstars Writing Seminar, Colorado Springs, CO)
  • So You Want to Write Science Fiction (San Francisco Writers Conference, SF, CA)
  • Researching Non-Western Voice for Your Stories (SFWC)
  • NFTs for Authors (SFWC)

Fandoms: Elfquest, ATLA, Kate Daniels, and Shang-Chi. Passionate about: rescue dogs, spinning, knitting, weaving. (230 words)

Press Kit

Short Bio

Julia Vee is the author of the Seattle Slayers series and the Phoenix Hoard series. Julia attended U.C Berkeley and majored in Asian Studies. She is a graduate of Viable Paradise. She often writes with co-author Ken Bebelle. Their debut novel Ebony Gate, an Asian-inspired urban fantasy, will be published by TOR in J ’23. 

(53 words)

Image (c) Nicole Gee Photography

 

Path to Publication

Julia:
I wrote a novel during the chaos of November 2016 during Nanowrimo. Then Ken and I started writing together in early 2017. By early 2020, I probably had something like 600k+ words of fiction under my belt with my writing combined with co-writing with Ken.

Ken:
Creative writing was something we had both done quite a bit of when we were younger. I still have a swords and sorcery fantasy story we wrote in (I think) the eighth grade. It will never see the light of day. Coming back to writing after such a long break was like finding water in the desert. But back to Julia’s story…

JV:
I have always been a lifelong learner. The craft of writing is something I take very seriously. I attended my third Superstars Writing Conference in Feb of 2020 and at the VIP dinner, Jonathan Maberry was being his normal encouraging self and asking everyone at the table what they were working on. I told him we were writing a “female Asian John Wick set in the Pacific Rim fighting Asian monsters.”

KB:
We love John Wick!

JV:
He said, “Are you going to query that? Because you need to query that.”

Until his comment, I had been moving along the indie path to publish it. We had lined up covers from the amazing Christian Bentulan. I had Vellum, Ken was good with Facebook Ads, I knew Amazon ads so we were set to launch the book ourselves.

But I valued Jonathan’s opinion and took his words to heart. Ken started reading up on how to write a query letter. If I thought writing a book synopsis was painful, the query letter was excruciating.

We engaged Joe Nassise for a developmental edit. He gave us great feedback. At that point, Ebony Gate was 58k words.

We worked on revising it. During the revision, we realized that in order to address Joe’s feedback that he wanted more from our final battle scene we needed to go back earlier and build up the villain more.

KB:
For me, this part is most of the fun of writing: banging my brain together with Julia’s to come up with amazing stories, then watching what we create take on a life of its own.

JV:
That was, of course, Joe’s first lesson to us when we first started working with him in 2018 – the villain shares the screen with the hero. So it was back to fundamentals as we went back to page 1 and really leveled up the villain to ratchet up the tension we needed to make the final battle more satisfying for the reader.

I participated in DVPIT on Twitter.

We sent out just 3 or 4 queries based on those Twitter pitch agent responses.

Henry Lien advised querying writers to send out 8 to 10 queries a week. We couldn’t bring ourselves to do that. We kept working on the revisions. Joe tweaked our awkward query letter. We made a spreadsheet where we put in 8 names of agents who we knew had represented some of our favorite authors in the UF genre or Asian Fantasy.

That’s it. Eight total agents.

KB:
To be fair, we were total noobs at this. Looking back now on what we did, I know we got extremely lucky. I have read countless stories of authors querying hundreds of agents without so much as a nibble. But Julia and I always felt like we had the self-pub route in our back pocket. If trad didn’t work out, we would simply go back to our original plan. Any headway we made into trad pub was proverbial icing on the cake.

JV:
At this point the manuscript had ballooned to 108k words. Yes, pretty much double the draft we sent to Joe for a dev edit.

Mind you, Ken and I both live in California. In addition to the awfulness of the pandemic we had wildfires, hazardous air quality, power outages and evacuations. So that was fun.

We queried the manuscript in fall of 2020 to eight agents.

Then I took a lecture with John Truby on Nature Myth over Christmas of 2020 and his breakdown of the movie Avatar. It gave me a revelation about the final battle. I called Ken and said we had to revise the final battle scene again.

Just before the end of the year Laurie Mclean at Fuse Literary asked for a full.

KB:
A heck of a way to end the year!

JV:
We wrote the final battle over Xmas break and sent her the full after Jan. 1, 2021. She wrote back that same week and asked for a call.

I had no idea what the call would be like. I hit up friends. Joanne Machin and Denise Beucler gave me their “what to ask an agent” notes.

We had a great call. Laurie loved the book. She had read 864 queries, asked for full manuscripts from 5 authors and offered representation solely to us. 1 out of 864. No wonder Jim Butcher’s Twitter handle is “longshotauthor”.

Ken and I loved Laurie’s enthusiasm. She struck us as someone who would swing for the fences. We signed with Laurie. She asked us to add one story beat to one scene (roughly one paragraph).

In the meantime I had another revelation about the love interest in the story. I’d imagined him as the rebound guy. We wrote him that way. It didn’t quite work. So I said to Ken, “I have to re-write Adam.” So it became the enemies to lovers trope. Laurie said, “I trust you not to break your story.”

No pressure.

I re-wrote the Adam scenes. The manuscript for Ebony Gate was now 110k words. Laurie sent it out on submission.

Two weeks later she called us. I was having a Zoom work call and eating a sandwich. Laurie told us TOR gave us a pre-empt. Claire Eddy loved Ebony Gate!

KB:
I was also at work when this happened, but we were so early in our relationship with Laurie that she didn’t have my cell phone. She’d emailed me and I’d been too busy to check. By the time I got on a three-way call with Julia and Laurie, Laurie sounded like she’d been banging on all the doors and windows trying to get my attention! The call was such good news I couldn’t stop smiling the rest of the day.

JV:
TOR was our first choice. I danced around my kitchen. We accepted the pre-empt. That was February of 2021.

We finished drafting Blood Jade, book 2 in the Phoenix Hoard series. It clocked in at 133k words.

We inked with TOR in July of 2021, after Mercury came out of retrograde.

TOR issued their announcement in August of 2021. Ken and I were overjoyed. We know that it could have gone really differently. We are happy that our book will go out to readers in July of 2023.

Ken and I are in the thick of revisions right now. The manuscript of Ebony Gate is 131k words presently.

KB:
While we were waiting (and waiting) for things to move forward with TOR, Julia got the spark of an idea for a post-apocalyptic Seattle, where the rise of magic has ruined tech and allowed the rampant spread of vampires and werewolves. We imagined a half-wrecked city, dripping with magic, defended by a band of misfit heroes based loosely on the Seven Freaks of the South, from
Legend of the Condor Heroes.

As we are revising Ebony Gate we are also drafting the first book in the Seattle Slayers series, Stakes and Bones. We will be self-publishing Seattle Slayers later in 2022, and we would love to have you along for the ride. 

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